I’m working on Aleph Null 2.0. You can view what I have so far at vispo.com/alephTouch/an.html . If you’re familiar with version 1.0, you can see that what 2.0 creates looks different from what 1.0 creates. I’ve learned a lot about the HTML5 canvas. Here are some recent screenshots from Aleph Null 2.0.
Aleph Null makes color music. Colors are tones. Musical notes are tones. Music is tones moving in time. Aleph Null makes changing color tones move in time. There is no audio.
Aleph Null is an instrument of color music. This is about how to play it. It’ll play on it’s own. But it profits immensely from a human player interceding continually. It’s interactive online art.
Color music in Aleph Null has a simple structure. There is a central color. It’s the main color. All the other colors are within a certain distance from the central color. That distance is called the color range.
Here’s how to change the central color.
- Click the Aleph Null logo at top left or press the ‘1’ key to make the controls visible.
- Press the ‘2’ key or click the input box labelled ‘central color’ to make the central color color-picker visible.
- Click around in both parts of the color-picker to see how it works. The current central color is displayed in the central color input box.
The colors Aleph Null uses are all random distances from the central color and these distances do not exceed the color range value. The lower the color range value, the closer all the colors are to the central color. The higher the color range value, the greater the range of colors that Aleph Null will use. If the color range is set to 0, Aleph Null only uses one color: the central color. If the color range is 255, any color might be used.
Aleph Null is best viewed by the light of a full moon. Or near full moon. Same with the set of stills I made. I mean they do like a bit of darkness.
If you’re using a PC, I’d recommend Chrome to view Aleph Null. At least on my machine, Chrome provides the smoothest performance. Firefox provides a similarly high framerate, but is a bit jerky from time to time. Internet Explorer kind of sucks. On the Mac, Chrome, Firefox, and Safari seem to be fine.
Stephanie Strickland and Nick Montfort have collaborated on a work of digital poetry called Sea and Spar Between. The generative/interactive piece uses Emily Dickinson’s poems and Herman Melville’s Moby Dick.
Both Stephanie and Nick have been involved in electronic literature for many years. Nick teaches it at MIT and Stephanie is a mathematician who has published several books of poems and created many online interactive works.